Jonas Mekas

Jonas Mekas was born in 1922 in the farming village of Semeniškiai, Lithuania. In 1944, he and his brother Adolfas were taken by the Nazis to a forced labor camp in Elmshorn, Germany. After the War he studied philosophy at the University of Mainz. At the end of 1949 the UN Refugee Organization brought both brothers to New York City, where they settled down in Williamsburg, Brooklyn. Two months after his arrival in New York he borrowed money to buy his first Bolex camera and began to record brief moments of his life. He soon got deeply involved in the American Avant-Garde film movement. In 1954, together with his brother, he started Film Culture magazine, which soon became the most important film publication in the US. In 1958 he began his legendary Movie Journal column in the Village Voice. In 1962 he founded the Film-Makers' Cooperative, and in 1964 the Film-Makers' Cinematheque, which eventually grew into Anthology Film Archives, one of the world's largest and most important repositories of avant-garde cinema, and a screening venue. During all this time he continued writing poetry and making films. To this date he has published more than 20 books of prose and poetry, which have been translated into over a dozen languages. His Lithuanian poetry is now part of Lithuanian classic literature and his films can be found in leading museums around the world. He is largely credited for developing the diaristic forms of cinema. Mekas has also been active as an academic, teaching at the New School for Social Research, the International Center for Photography, Cooper Union, New York University, and MIT. Mekas' film The Brig was awarded the Grand Prize at the Venice Film Festival in 1963. Other films include Walden (1969), Reminiscences of a Journey to Lithuania (1972), Lost Lost Lost (1975), Scenes from the Life of Andy Warhol (1990), Scenes from the Life of George Maciunas (1992), As I was Moving Ahead I saw Brief Glimpses of Beauty (2000), Letter from Greenpoint (2005), Sleepless Nights Stories (2011) and Out-takes from the Life of a Happy Man. In 2007, he completed a series of 365 short films released on the internet -- one film every day -- and since then has continued to share new work on his website. Since 2000, Mekas has expanded his work into the area of film installations, exhibiting at the Serpentine Gallery, the Centre Pompidou, Musée d'Art moderne de la Ville de Paris, the Moderna Museet (Stockholm), PS1 Contemporary Art Center MoMA, Documenta of Kassel, the Museum Ludwig in Cologne, the State Hermitage Museum in St. Petersburg, and the Venice Biennale.

Date of Birth : 1922-12-24

Place of Birth : Semeniškiai, Lithuania

Jonas Mekas

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Movies

The Velvet Underground
Film: The Living Record of Our Memory
Notes for a Déjà vu
Cinema and Sanctuary
Strong Medicine
Persistence of Vision
All About Bolex
A Report from Venice
Nam June Paik: Moon Is the Oldest TV
Sugrįžę iš Niujorko
Michael Snow Up Close
The Signing
Anger Me
Lavender
My Birthday
Home Movies 1971-81
As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty
Out-Takes from the Life of a Happy Man
Ginsberg - egy költö a Lower East Side-ról
Jonas tourne toujours
River of Fundament
眩暈 Vertigo
Galaxie
Jono Meko antologija
Fragments of Paradise
Notes for Jerome
J. Mekas
Occhio privato sul nuovo mondo
Guest
Doc
Four Shadows
On the Holy Spirit
I Had Nowhere to Go
Im Spiegel der Maya Deren
Reminiszenzen aus Deutschland
The Song of Avila
He Stands in a Desert Counting the Seconds of His Life
Step Across the Border
Scenes from Allen's Last Three Days on Earth as a Spirit
The Definition of Insanity
I Don't Know Which Tree It Comes From that Fragrance
The Queen of Sheba Meets the Atom Man
Reminiscences of a Journey to Lithuania
Going Home
Jack Smith and the Destruction of Atlantis
Salvador Dalí at Work
Jonas in the Brig
Underground New York
ORG
Self-Portrait
Tuesday Jan. 9, 2007
Mes entretiens filmés
Meet The Kuchar Brothers
Jonas in the Desert
Free Radicals: A History of Experimental Film
‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen
Filmmakers
Cinema Is Not 100 Years Old
Journey to Lithuania
Invocation: Maya Deren
It Came from Kuchar
New York Conversations
George
Warhol's Cinema 1963-1968: Mirror for the Sixties
What Is Cinema?
Question a Day
Keep singing: a tribute to Jonas Mekas
Barbara Rubin and the Exploding NY Underground
Poem Posters
Excavating Taylor Mead
Makeshift (for Mekas)
A Matter of Baobab
TO NEW YORK WITH LOVE - A Letter to Penny Arcade June 25, 2001
Gena Rowlands — Unabhängig im Kino und im Leben
Self Discovery for Social Survival
Nitsch
A Day in the Life of Andy Warhol
Jonas Mekas in Kodachrome Days
Award
Andy Warhol Screen Tests
Nico Icon
Superstar: The Life and Times of Andy Warhol
Who Gets to Call It Art?
Sebastian and Jonas Leaving the Party
My Mars Bar Movie
Imagine
Cinématon
Andy Warhol's Factory People... Inside the Sixties Silver Factory
Beyond the Bolex
365 Day Project
Empire
Lost, Lost, Lost
Diaries, Notes, and Sketches
Re: Maciunas and Fluxus
Quartet Number One
Song of Avignon
Screen Test [ST211]: Jonas Mekas
Friday The 13 Okt, Jonas Mekas
Notes on an American Film Director at Work
The Song of Central Park
Correspondencia Jonas Mekas - J.L. Guerin
Tapes
Cartoline dall'America
3.11 A Sense of Home Films
Axiom of Choice
Elegy for J.M.
Reminiscences of Jonas Mekas
Tiny Tim: King for a Day
Fire in the East: A Portrait of Robert Frank
EXPRMNTL
The Invisible Father
Sunday December 30, 2007
Diaries, Notes, and Sketches
Pastabos gyvenimo būdo paraštėse
Jonas Mekas in Budapest
Vies et morts d'Andy Warhol

TV Shows