The Threepenny Opera proclaims itself "an opera for beggars," and it was in fact an attempt both to satirize traditional opera and operetta and to create a new kind of musical theater based on the theories of two young German artists, composer Kurt Weill and poet-playwright Bert Brecht. The show opens with a mock-Baroque overture, a nod to Threepenny's source, The Beggar's Opera, a brilliantly successful parody of Handel's operas written by John Gay in 1728. In a brief prologue following the overture, a shabby figure comes onstage with a barrel organ and launches into a song chronicling the crimes of the notorious bandit and womanizer Macheath, "Mack the Knife." The setting is a fair in Soho (London), just before Queen Victoria's coronation. In this production, Weill champion HK Gruber led the Ensemble Modern in a performance of Weill's complete original score, the first time it had been heard in Germany in many years. This production was broadcast on German television (3sat).
Genre : Music
Runtime : 163 mins
Release Date : 1995-01-01

(Macheath, genannt Mackie Messer)

(Jonathan Jeremiah Peachum)
(Celia Peachum, seine Frau)
(Polly Peachum, seine Tochter)
(Brown, Polizeichef von London)

(Lucy, seine Tochter)

(Die Spelunken-Jenny)
(Pastor Kimball)

(Filch / Trauerweiden-Walter)
(Ein Moritatensänger / Münz-Matthias)

(Makenfinger-Jakob)

(Säge-Robert)
(Alte Hure)
(Vixen)
(Dolly)